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Specifications

Outline02R96VCM
Mixing capabilityMixing channels56
GROUP8
AUX8
MAINStereo
Input channel functionsGate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan
Output channel functionsAttenuator, 4-band PEQ, Compressor, Delay
On-board processors4x SPX multi effectors
I/OMic inputs16
Phantom power+48V DC; ON/OFF per channel
Line inputs4x Stereo, 2x 2tr in
AD converter24-bit; 128-time over sampling
Line outputsStereo output, Studio monitor output, C-R monitor output, 8x Omni output
DA converter24-bit; 128-time over sampling
Digital I/O3x 2tr in/out, Cascade I/O
Expansion slots4x Mini-YGDAI (16-in/16-out)
Control and othersTo Host(USB/Serial), Control(GPI), MIDI, Time code in (SMPTE/MTC), Word clock I/O
General specifications02R96VCM
Internal processing32bit, Accumulator: 58bit
Sampling frequency rateInternal44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
External44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%)
Signal delayLess than 2.0ms (@48kHz), Less than 1.1ms (@96kHz)
Total harmonic distortionLess than 0.05% (20Hz-40kHz)
Frequency response0, +0.5, -1.5dB 20Hz-40kHz
Dynamic rangeDA: 110dB; AD+DA: 105dB
Hum & noise levelEquivalent input noise-128dBu
Residual output noise-92dBu
Crosstalk-80dB
Power requirementsAC100V, 120V, 220-240V 50/60 Hz
Power consumption200W
DimensionsW667mm; 26-1/4in
H239mm; 9-7/16in
D697mm; 27-7/16in
Net weight34kg; 75lbs
AccessoriesOwner’s Manual, Studio Manager Installation Guide, AC power cord

Library

Effect libraries
(EFFECT1-4)
factory presets
user libraries
52(EFFECT3-4 :44)
76
Compressor libraries factory presets
user libraries
36
92
Gate libraries factory presets
user libraries
4
124
EQ libraries factory presets
user libraries
40
160
Channel libraries factory presets
user libraries
2
127
Surround Monitor libraries factory presets
user libraries
1
32
Input patch libraries factory presets
user libraries
1
32
Output patch libraries factory presets
user libraries
1
32
Bus to stereo libraries factory presets
user libraries
1
32

Analog output characteristics

Analog output characteristics
Output terminal Actual source impedance For use with nominal GAIN SW * Output level Connector
Nominal Max. before clip
STEREO OUT(L,R) 600ohms 10kohm Lines - -10dBV +4dBV RCA pin jack
(Unbalanced)
75ohms 600kohm Lines - +4dB +18dB XLR3-32 type
(Balanced)
STUDIO MONITOR OUT(L,R) 150ohms 10kohm Lines - +4dB +18dB TRS phone jack (Balanced)
C-R MONITOR OUT(L,R) 150ohms 600kohm Lines - +4dB +18dB TRS phone jack (Balanced)
OMNI OUT 1-8 150ohms 10kohm Lines +18dB
(default)
+4dB +18dB TRS phone jack (Balanced)
+4dBV -10dBV +4dBV
INSERT OUT 1-16 600ohms 10kohm Lines - +4dB +18dB Phone jack
(Unbalanced)
PHONES 100ohms 8ohm Lines - 4mW 25mW ST phone jack (Unbalanced)
40ohm Lines - 12mW 75mW

* +18dB, +4dBV selectable (Internal SW)
0dBV=.00 Vrms.
0dB=0.775 Vrms.

Analog input characteristics

Analog input characteristics
Input terminal PAD GAIN Actual load impedance For use with nominal Input level Connector
Sensitivity Nominal Max. before clip
CH INPUT
A/B 1-16
0 -60dB 3kohms 50-600ohms Mics & 600ohm Lines -70dB -60dB -46dB A:XLR3-31 type (Balanced)
B:TRS phone jack (Balanced)
-16dB -26dB -16dB -2dB
26 0dB +10dB +24dB
CH INPUT
17-24
-34dB 4kohms 600ohm Lines -44dB -34dB -20dB TRS phone jack (Balanced)
+10dB 0dB +10dB +24dB
CH INSERT IN 1-16 10kohms 600ohm Lines -6dB +4dB +18dB TRS phone jack (Balanced)
2TR IN ANALOG1(L,R) 10kohms 600ohm Lines +4dB +4dB +18dB TRS phone jack (Balanced)
2TR IN ANALOG2(L,R) 10kohms 600ohm Lines -10dBV -10dBV +4dBV RCA pin jack (Unbalanced)

* 0dB=0.775 Vrms
* 0dBV=1.00 Vrms.
* +48V DC(phantom power) is supplied to CH INPUT(1-24) XLR type connector via each individual switch.

Digital input characteristics

Digital input characteristics
Terminal Format Data length Level Connector
2TR IN DIGITAL 1 AES/EBU 24bit RS422 XLR3-31 type (Balanced)
2 IEC-60958 24bit 0.5Vpp/75ohms RCA pin jack
3 IEC-60958 24bit 0.5Vpp/75ohms RCA pin jack
CASCADE IN - - RS422 D-sub Half Pitch Connector 68P (female)

Digital output characteristics

Digital output characteristics
Terminal Format Data length Level Connector
2TR OUT DIGITAL 1 AES/EBU
(Professional use)
24bit RS422 XLR3-31 type (Balanced)
2 IEC-60958
(Consumer Use)
24bit 0.5Vpp/75ohms RCA pin jack
3 IEC-60958
(Consumer Use)
24bit 0.5Vpp/75ohms RCA pin jack
CASCADE OUT - - RS422 D-sub Half Pitch Connector 68P (female)

Effects

Reverbs

No. Preset Name Type Description
01 Reverb Hall REVERB HALL Concert hall reverberation simulation with gate
02 Reverb Room REVERB ROOM Room reverberation simulation with gate
03 Reverb Stage REVERB STAGE Reverb designed for vocals, with gate
04 Reverb Plate REVERB PLATE Plate reverb simulation with gate
05 Early Ref. EARLY REF. Early reflections without the subsequent reverb
06 Gate Reverb GATE REVERB Gated early reflections
07 Reverse Gate REVERSE GATE Gated reverse early reflections

Delays

No. Preset Name Type Description
08 Mono Delay MONO DELAY Simple mono delay
09 Stereo Delay STEREO DELAY Simple stereo delay
10 Mod.Delay MOD.DELAY Simple repeat delay with modulation
11 Delay LCR DELAY LCR 3-tap (left, center, right) delay
12 Echo ECHO Stereo delay with crossed left/right feedback

Modulation-based Effects

No. Preset Name Type Description
13 Chorus CHORUS Chorus
14 Flange FLANGE Flanger
15 Symphonic SYMPHONIC Original Yamaha effect that produces a richer and more complex modulation than normal chorus
16 Phaser PHASER 16-stage stereo phase shifter
17 Auto Pan AUTO PAN Auto-panner
18 Tremolo TREMOLO Tremolo
19 HQ. Pitch HQ.PITCH Mono pitch shifter, producing stable results
20 Dual Pitch DUAL PITCH Stereo pitch shifter
21 Rotary ROTARY Rotary speaker simulation
22 Ring Mod. RING MOD. Ring modulator
23 Mod.Filter MOD.FILTER Modulated filter

Guitar Effects

No. Preset Name Type Description
24 Distortion DISTORTION Distortion
25 Amp Simulate AMP SIMULATE Guitar amp simulation

Dynamic Effects

No. Preset Name Type Description
26 Dyna.Filter DYNA.FILTER Dynamically controlled filter
27 Dyna.Flange DYNA.FLANGE Dynamically controlled flanger
28 Dyna.Phaser DYNA.PHASER Dynamically controlled phase shifter

Combination Effects

No. Preset Name Type Description
29 Rev+Chorus REV+CHORUS Reverb and chorus in parallel
30 Rev->Chorus REV->CHORUS Reverb and chorus in series
31 Rev+Flange REV+FLANGE Reverb and flanger in parallel
32 Rev->Flange REV->FLANGE Reverb and flanger in series
33 Rev+Sympho. REV+SYMPHO. Reverb and symphonic in parallel
34 Rev->Sympho. REV->SYMPHO. Reverb and symphonic in series
35 Rev->Pan REV->PAN Reverb and auto-pan in series
36 Delay+Er. DELAY+ER. Delay and early reflections in parallel
37 Delay->Er. DELAY->ER. Delay and early reflections in series
38 Delay+Rev DELAY+REV Delay and reverb in parallel
39 Delay->Rev DELAY->REV Delay and reverb in series
40 Dist->Delay DIST->DELAY Distortion and delay in series

Others

No. Preset Name Type Description
41 Multi.Filter MULTI.FILTER 3-band parallel filter (24 dB/octave)
42 Freeze FREEZE Simple sampler
43 Stereo Reverb ST REVERB Stereo reverb
44 *1 Reverb 5.1 REVERB 5.1 *2 6-channel reverb for 5.1 surround
45 *1 Octa Reverb OCTA REVERB *2 8-channel reverb for 7.1 surround
46 *1 Auto Pan 5.1. AUTO PAN 5.1 6-channel auto pan for 5.1 surround
47 *1 Chorus 5.1 CHORUS 5.1 6-channel chorus for 5.1 surround
48 *1 Flange 5.1 FLANGE 5.1 6-channel flanger for 5.1 surround
49 *1 Sympho. 5.1 SYMPHO. 5.1 6-channel symphonic effect for 5.1 surround
50 M.Band Dyna. M.BAND DYNA. Multi-band dynamics processor
51 *1 Comp 5.1 COMP 5.1 *2 Multi-band compressor for 5.1 surround
52 *1 Compand 5.1 COMPAND 5.1 *2 Multi-band compressor for 5.1 surround
53 *3 Comp276
54 *3 Comp276S
55 *3 Comp260
56 *3 Comp260S
57 *3 Equalizer601
58 *3 OpenDeck
59 *3 REV-X Hall
60 *3 REV-X Room
61 *3 REV-X Plate

*1 These effects can be recalled only to Effects processors #1.

*2 Since these effects types require four DSPs, the total number of effects processors is reduced by three when one of these types is used. For example, if REVERB 5.1 is used with effects processor #1, processors 2-4 are unavailable.

*3 Preset numbers are reserved for Add-On Effects. Effects that are not installed appear in gray and are unavailable for use.

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Installation Case

Located at the confluence of two major rivers, the Belgian city of Namur has been an important centre of trade and industry for centuries. Such locations also tend to become cultural centres and Namur is no exception. Recently the city’s main theatre - Théâtre Royal de Namur - installed a brand new Yamaha CL5 to replace its long-serving O2R96 mixing console.

Installation Case

After using two rented Yamaha M7CL digital mixing consoles on a trio of highly successful concerts with the Royal Philharmonic Orchestra last year, British songwriter extraordinaire Paul Carrack was so impressed that he and his production team felt it was Time To Move On from their existing analogue sound rig. They went straight out and purchased a pair.