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Developer Interview: Fader Knobs Refined for Productivity and Motivation

Amid the excitement and frenzy of a live music event there is a cool-headed mixing engineer making vitally important decisions and adjustments. Vocal, guitar, bass, keyboard, drum, and other faders must be precisely controlled to achieve the ideal musical balance. Yamaha’s mission is to support the engineer as he or she focuses intently on every moment of the ongoing musical program, fingertips poised on faders ready to make critical adjustments at any time. That mission led to a journey through a multitude of subtle refinements to the shape and dimensions of the mixing engineer’s most fundamental connection to the console: the fader knobs. The following interview reveals the depth of thought and care that went into the design of the evolved fader knobs introduced in the CL series digital mixing consoles.

The Development of Virtual Circuitry Modeling Audio Effects

From the birth of physical modeling to Portico emulations

Digital Mixer History

Back when Yamaha products such as the DX7 synthesizer and SPX90 multi-effect unit were at the peak of their popularity, Yamaha was busy developing and manufacturing a DSP LSI that was originally intended for use in Electones, but which also showed promise for digital mixing applications. That LSI provided the basis for Yamaha’s first digital mixer, the DMP7.

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Installation Case

Intec Systems recently completed major upgrades to the audio systems of two of New Zealand’s largest churches. Both installations were required to be easily re-configured depending on the requirements of each service with Dante providing the ideal connectivity solution.

Installation Case

Ever since Riverdance brought Irish dance to a truly global audience, 20 years ago, interest in the genre has shown no sign of waning. In terms of touring, one of the hardest working Irish dance and music troupes is Ragús, which has just completed its ninth successive tour of Belgium and the Netherlands. A Yamaha CL1 mixing console ensured that the necessarily compact audio specification still packed a big sonic punch.