Specifications
| Outline | DM1000VCM | |
|---|---|---|
| Mixing capability | Mixing channels | 48 |
| GROUP | 8 | |
| AUX | 8 | |
| MAIN | Stereo | |
| Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | |
| Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | |
| On-board processors | 4x SPX multi effectors | |
| I/O | Mic inputs | 16 |
| Phantom power | +48V DC; ON/OFF per channel | |
| Line inputs | 4x Omni in | |
| AD converter | 24-bit; 128-time over sampling | |
| Line outputs | 12x Omni output | |
| DA converter | 24-bit; 128-time over sampling | |
| Digital I/O | 2x 2tr in/out | |
| Expansion slots | 2x Mini-YGDAI (16-in/16-out) | |
| Control and others | To Host(USB), Control(GPI), Remote, MIDI, Time code in (SMPTE), Word clock I/O | |
| General specifications | DM1000VCM | |
| Internal processing | 32bit, Accumulator: 58bit | |
| Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz |
| External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | |
| Signal delay | Less than 1.6ms (@48kHz), Less than 0.8ms (@96kHz) | |
| Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | |
| Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | |
| Dynamic range | DA: 110dB; AD+DA: 106dB | |
| Hum & noise level | Equivalent input noise | -128dBu |
| Residual output noise | -86dBu | |
| Crosstalk | -80dB | |
| Power requirements | AC100V, 120V, 220-240V 50/60 Hz | |
| Power consumption | 135W | |
| Dimensions | W | 436mm; 17-3/16in |
| H | 200mm; 7-7/8in | |
| D | 585mm; 23-1/16in | |
| Net weight | 20kg; 44.1lbs | |
| Accessories | Owner’s Manual, Studio Manager Installation Guide, AC power cord | |
Analog input characteristics
| Input terminal | PAD | GAIN | Actual load impedance | For use with nominal | Input level | Connector | ||
|---|---|---|---|---|---|---|---|---|
| Sensitivity | Nominal | Max. before clip | ||||||
| CH INPUT 1-16 |
0 | -60dB | 3kΩ | 50-600Ω Mics & 600Ω Lines | -70dB | -60dB | -40dB | XLR3-31 type (Balanced) |
| -16dB | -26dB | -16dB | +4dB | |||||
| 20 | -6dB | +4dB | +24dB | |||||
| OMNI IN 1-4 | 10kΩ | 600Ω Lines | +4dB | +4dB | +24dB | XLR3-31 type (Balanced) | ||
Analog output characteristics
| Output terminal | Actual source impedance | For use with nominal | GAIN SW | Output level | Connector | |
|---|---|---|---|---|---|---|
| Nominal | Max. before clip | |||||
| OMNI OUT 1-12 | 75Ω | 600kΩ Lines | - | +4dB | +24dB | XLR3-32 type (Balanced) |
| PHONES | 100Ω | 8Ω Lines | - | 4mW | 25mW | ST Phone jack (Unbalanced) |
| 40Ω Lines | - | 12mW | 75mW | |||
Digital input characteristics
| Terminal | Format | Data length | Level | Connector | |
|---|---|---|---|---|---|
| 2TR IN DIGITAL | 1 | AES/EBU | 24bit | RS422 | XLR3-31 type (Balanced) |
| 2 | IEC-60958 | 24bit | 0.5Vpp/75Ω | RCA pin jack | |
Installation Case
2011 marked the debut of Sir Trevor Nunn as Artistic Director of London’s Theatre Royal, Haymarket, with four very different productions. Sound design for all four was by Paul Groothuis, who used Yamaha digital consoles and DME series digital mixing engines to help ensure the season’s success.
Installation Case
Satellite broadcaster Sky TV continues to expand, thanks to its wide broadcasting remit and, in particular, it’s high quality sports coverage. This has recently seen the company boost its already impressive collection of Yamaha digital mixing consoles to a remarkable 46.