Specifications
| Outline | DM2000VCM | |
|---|---|---|
| Mixing capability | Mixing channels | 96 |
| GROUP | 8 | |
| AUX | 12 | |
| MAIN | Stereo | |
| MATRIX | 4 Stereo | |
| Input channel functions | Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan | |
| Output channel functions | Attenuator, 4-band PEQ, Compressor, Delay | |
| On-board processors | 8x SPX multi effectors, 6x 31-band GEQs | |
| I/O | Mic inputs | 24 |
| Phantom power | +48V DC; ON/OFF per channel | |
| Line inputs | 2x 2tr in | |
| AD converter | 24-bit; 128-time over sampling | |
| Line outputs | Stereo output, Studio monitor output, 2x C-R monitor output, 8x Omni output | |
| DA converter | 24-bit; 128-time over sampling | |
| Digital I/O | 3x 2tr in/out, Cascade I/O | |
| Expansion slots | 6x Mini-YGDAI (16-in/16-out) | |
| Control and others | To Host(USB/Serial), Control(GPI), Remote, MIDI, Time code in (SMPTE/MTC), Keyboard, Word clock in, 2x Word clock out, Smart media slot, 2x Lamp on MB2000 optional meter bridge | |
| General specifications | DM2000VCM | |
| Internal processing | 32bit, Accumulator: 58bit | |
| Sampling frequency rate | Internal | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz |
| External | 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) | |
| Signal delay | Less than 2.3ms (@48kHz), Less than 1.2ms (@96kHz) | |
| Total harmonic distortion | Less than 0.05% (20Hz-40kHz) | |
| Frequency response | 0, +0.5, -1.5dB 20Hz-40kHz | |
| Dynamic range | DA: 110dB; AD+DA: 108dB | |
| Hum & noise level | Equivalent input noise | -128dBu |
| Residual output noise | -94dBu | |
| Crosstalk | -80dB | |
| Power requirements | AC100V, 120V, 220-240V 50/60 Hz | |
| Power consumption | 300W | |
| Dimensions | W | 906mm; 35-11/16in |
| H | 257mm; 10-1/8in | |
| D | 821mm; 32-5/16in | |
| Net weight | 43kg; 94.8lbs | |
| Accessories | Owner’s Manual, Studio Manager Installation Guide, AC power cord | |
Analog input characteristics
| Input terminal | PAD | GAIN | Actual load impedance | For use with nominal | Input level | Connector | ||
|---|---|---|---|---|---|---|---|---|
| Sensitivity | Nominal | Max. before clip | ||||||
| CH INPUT A/B 1-24 |
0 | -60dB | 3kohms | 50-600ohm Mics & 600ohm Lines | -70dB | -60dB | -46dB | A:XLR3-31 type(Balanced) B:TRS Phone jack (Balanced) |
| -16dB | -26dB | -16dB | -2dB | |||||
| 26 | 0dV | +10dB | +24dB | |||||
| INSERT IN 1-24 | 10kohms | 600ohm Lines | -6dB | +4dB | +18dB | TRS Phone jack(Balanced) | ||
| 2TR IN ANALOG1(L,R) | 10kohms | 600ohm Lines | +4dB | +4dB | +18dB | TRS Phone jack (Balanced) | ||
| 2TR IN ANALOG2(L,R) | 10kohms | 600ohm Lines | -10dB | -10dB | +4dB | RCA pin jack (Unbalanced) | ||
Analog output characteristics
| Output terminal | Actual source impedance | For use with nominal | GAIN SW | Output level | Connector | |
|---|---|---|---|---|---|---|
| Nominal | Max. before clip | |||||
| STEREO OUT(L,R) | 600ohms | 10kohm Lines | - | -10dBV | +4dBV | RCA pin jack (Unbalanced) |
| 75ohms | 600ohm Lines | - | +4dB | +18dB | XLR3-32 type (Balanced) |
|
| STUDIO MONITOR OUT(L,R) | 150ohms | 10kohm Lines | - | +4dB | +18dB | TRS Phone jack (Balanced) |
| C-R MONITOR OUT LARGE(L,R) | 75ohms | 600ohm Lines | - | +4dB | +18dB | XLR3-32 type (Balanced) |
| C-R MONITOR OUT SMALL(L,R) | 75ohms | 600ohm Lines | - | +4dB | +18dB | XLR3-32 type (Balanced) |
| OMNI OUT 1-8 | 150ohms | 10kohm Lines | +18dB (default) |
+4dB | +18dB | TRS Phone jack (Balanced) |
| +4dB | -10dB | +4dBV | ||||
| INSERT OUT 1-24 | 600ohms | 10kohm Lines | - | +4dB | +18dB | TRS Phone jack (Balanced) |
| PHONES | 100ohms | 8ohm Lines | - | 4mW | 25mW | ST Phone jack (Unbalanced) |
| 40ohm Lines | - | 12mW | 75mW | |||
Digital input characteristics
| Terminal | Format | Data length | Level | Connector | |
|---|---|---|---|---|---|
| 2TR IN DIGITAL | 1 | AES/EBU | 24bit | RS422 | XLR3-31 type(Balanced) |
| 2 | AES/EBU | 24bit | RS422 | XLR3-31 type(Balanced) | |
| 3 | IEC-60958 | 24bit | 0.5Vpp/75ohms | RCA pin jack | |
| CASCADE IN | - | - | RS422 | D-sub Half Pitch Connector 68P (female) | |
Digital output characteristics
| Terminal | Format | Data length | Level | Connector | |
|---|---|---|---|---|---|
| 2TR OUT DIGITAL | 1 | AES/EBU (Professional use) |
24bit | RS422 | XLR3-32 type (Balanced) |
| 2 | AES/EBU (Professional use) |
24bit | RS422 | XLR3-32 type (Balanced) | |
| 3 | IEC-60958 (Consumer Use) |
24bit | 0.5Vpp/75ohms | RCA pin jack | |
| CASCADE OUT | - | - | RS422 | D-sub Half Pitch Connector 68P (female) | |
* 0dB=0.775Vrms; 0dBV=1.00Vrms
Installation Case
BBC Northern Ireland has upgraded its dubbing studios with another Yamaha DM2000 digital mixing console, adding considerable flexibility to the facility.
Installation Case
The third appointment with "La Via della Musica" (The Road of Music), the ambitious project based on an idea of Andrea Andermann, which he produced with Italy’s state broadcaster, Rai: transforming operas into television events set in the places and at the time of day foreseen by the original librettos. After the international success of Tosca (Rome, 1992) and La Traviata (Paris, 2000), Mantua recently hosted Rigoletto.