Print This Page

In many cases the console position is not the optimum place to be when mixing for live sound. In fact, space and other restrictions sometimes mean that the console ends up in the worst possible spot for listening and mixing.

Mixer (Main Window)


Main Window (PEQ)


Main Window (Pan)


Main Window (Dynamics)


Main Window (Long Faders)

Sends On Fader


Sends On Fader


Sends On Fader (Select Target Mix Bus)


Sends On Fader (Global Pre/Post Setting)


Sends On Fader (Long Faders)

PEQ / GEQ


PEQ


PEQ (Channel Navigation)


GEQ


GEQ (Channel Navigation)

Dynamics


Dynamics


Dynamics (Channel Navigation)


Dynamics (Select Processor Type)


Dynamics (Select Key In Source)

Gain / DCA


Analog Gain


DCA


DCA (Long Faders)

Outports


Outports


Outports (Delay Time Setting)

Scene Memory / Utility / Setup


Scene Memory


Utility (Mute Group / Tap Tempo)


Utility (Oscillator)


Setup

Return to Top

Installation Case

After using two rented Yamaha M7CL digital mixing consoles on a trio of highly successful concerts with the Royal Philharmonic Orchestra last year, British songwriter extraordinaire Paul Carrack was so impressed that he and his production team felt it was Time To Move On from their existing analogue sound rig. They went straight out and purchased a pair.